Savage Vision (1982)

A meditation on the future of New. York City made in the early 1980s and predicting increased gentrification, crowd control policing, and overall regimentation of life. Savage Vision was installed in the windows of the Henry Street Settlement’s Abrons Art Center for an exhibition organized by the artist Juan Sanchez, which then traveled to the Mason Gross School of Art Gallery, Rutgers University later that year. Juan Sanchez’s poster for his 1982 curatorial project Beyond Aesthetics: